Music, conflict and conciliation: rethinking some postcolonial approaches through the case of music in Goa

Please use this identifier to cite or link to this item: http://hdl.handle.net/10773/31092

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DC Field	Value	Language
dc.contributor.author	Sardo, Susana	pt_PT
dc.date.accessioned	2021-04-05T09:40:22Z	-
dc.date.available	2021-04-05T09:40:22Z	-
dc.date.issued	2020	-
dc.identifier.uri	http://hdl.handle.net/10773/31092	-
dc.description.abstract	This text is an attempt to understand Goa through music. In this sense, I propose to make a journey through the way as different musics were used to connect people in colonial and postcolonial times, based on the analyses of conflict and conciliation processes established by political and aesthetic agreements.	pt_PT
dc.language.iso	eng	pt_PT
dc.publisher	Jadavpur University Press	pt_PT
dc.relation	TIDE: Travel, Transculturality, and Identity in England, c. 1550-1700	pt_PT
dc.rights	restrictedAccess	pt_PT
dc.subject	Ethnomusicology	pt_PT
dc.subject	Postcolonial integrated territories	pt_PT
dc.subject	Goa	pt_PT
dc.title	Music, conflict and conciliation: rethinking some postcolonial approaches through the case of music in Goa	pt_PT
dc.type	bookPart	pt_PT
dc.description.version	in publication	pt_PT
dc.peerreviewed	yes	pt_PT
degois.publication.location	India	pt_PT
degois.publication.title	Four Cities: Points of Encounter between India and Europe	pt_PT
Appears in Collections:	INETmd - Capítulo de livro

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