Please use this identifier to cite or link to this item:
http://hdl.handle.net/10773/22410
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Sardo, Susana | pt |
dc.date.accessioned | 2018-02-28T12:01:25Z | - |
dc.date.issued | 2017 | - |
dc.identifier.isbn | 978-1-4438-7326-0 | pt |
dc.identifier.isbn | 1-4438-7326-8 | - |
dc.identifier.uri | http://hdl.handle.net/10773/22410 | - |
dc.language.iso | eng | pt |
dc.publisher | Cambridge Scholars Publishing | pt |
dc.rights | restrictedAccess | por |
dc.subject | Music | pt |
dc.subject | Ethnomusicology | pt |
dc.subject | Archives | pt |
dc.subject | Fado | pt |
dc.title | Institutionalizing and materializing music through sound sources. The case of Bruce Bastin’s fado collection in Portugal | pt |
dc.type | bookPart | pt |
degois.publication.firstPage | 21 | pt |
degois.publication.issue | II | pt |
degois.publication.lastPage | 33 | pt |
degois.publication.location | Newcastle | pt |
degois.publication.title | Historical Sources of Ethnomusicology in Contemporary Debate | pt |
dc.date.embargo | 10000-01-01 | - |
dc.relation.publisherversion | http://www.cambridgescholars.com/historical-sources-of-ethnomusicology-in-contemporary-debate | pt |
Appears in Collections: | INETmd - Capítulo de livro |
Files in This Item:
File | Description | Size | Format | |
---|---|---|---|---|
Sardo.pdf | 325.13 kB | Adobe PDF |
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