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http://hdl.handle.net/10773/40675
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DC Field | Value | Language |
---|---|---|
dc.contributor.author | Marinho, Helena | pt_PT |
dc.contributor.author | Benetti, Alfonso | pt_PT |
dc.contributor.author | Bittencourt, Luís | pt_PT |
dc.contributor.author | Chambel, Mónica | pt_PT |
dc.date.accessioned | 2024-02-12T16:41:46Z | - |
dc.date.available | 2024-02-12T16:41:46Z | - |
dc.date.issued | 2021-05-28 | - |
dc.identifier.isbn | 978-1-5275-6883-9 | pt_PT |
dc.identifier.uri | http://hdl.handle.net/10773/40675 | - |
dc.description.abstract | The piano crossed various career paths of the Portuguese composer Constança Capdeville (1937–92): as a young music student, piano playing and composition were her main subjects at the National Conservatory in Lisbon, and some of her early works featured the piano as a solo instrument. As her compositional style shifted towards more experimental perspectives, and as she became, from the 1970s until her death, an icon of the Portuguese avant-garde, her approach to the piano also changed. Thus, analysing how the piano is used in her solo, chamber and ensemble works provides significant information about her development as a composer, as well as concerning her creative processes involving multimedia, and dramatic contents and methods. This essay pursues a specific perspective regarding the piano in Capdeville’s artistic output, through analysing her musical texts, composition methods, staging instructions and related contextual contents, in order to propose a gendered outlook associated with this instrument. | pt_PT |
dc.language.iso | eng | pt_PT |
dc.publisher | Cambridge Scholars Publishing | pt_PT |
dc.relation | info:eu-repo/grantAgreement/FCT/9471 - RIDTI/PTDC%2FART-PER%2F31380%2F2017/PT | pt_PT |
dc.relation | info:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDB%2F00472%2F2020/PT | pt_PT |
dc.relation | info:eu-repo/grantAgreement/FCT/Projetos de Investigação Científica e Desenvolvimento Tecnológico - 2014 (P2020)/PTDC%2FCPC-MMU%2F3559%2F2014/PT | pt_PT |
dc.rights | openAccess | pt_PT |
dc.rights.uri | https://creativecommons.org/licenses/by/4.0/ | pt_PT |
dc.subject | 20th-century Portuguese music | pt_PT |
dc.subject | Piano repertoire | pt_PT |
dc.subject | Constança Capdeville | pt_PT |
dc.title | Gendering the [piano] performing body | pt_PT |
dc.type | bookPart | pt_PT |
dc.description.version | published | pt_PT |
dc.peerreviewed | yes | pt_PT |
degois.publication.firstPage | 267 | pt_PT |
degois.publication.lastPage | 282 | pt_PT |
degois.publication.location | Newcastle upon Tyne | pt_PT |
degois.publication.title | Contemporary piano music: performance and creativity | pt_PT |
Appears in Collections: | INETmd - Capítulo de livro |
Files in This Item:
File | Description | Size | Format | |
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Contemporary Piano Music - Performance and creativity_p267-282.pdf | 309.23 kB | Adobe PDF | View/Open |
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