Please use this identifier to cite or link to this item: http://hdl.handle.net/10773/34855
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dc.contributor.authorPestana, Maria do Rosáriopt_PT
dc.date.accessioned2022-09-30T13:40:03Z-
dc.date.available2022-09-30T13:40:03Z-
dc.date.issued2011-
dc.identifier.issn0874-6885pt_PT
dc.identifier.urihttp://hdl.handle.net/10773/34855-
dc.description.abstractThis paper draws on the feminine choir Pequenas Cantoras do Postigo do Sol, conducted by Vergílio Pereira, in Oporto, between 1941 and 1953. This choir of girls that, as time went by, grew up and turned into women, has generated a split within Oporto’s public opinion and exposed divergences between two Estado Novo organs: Governo Civil and Junta de Província do Douro Litoral. In both sectors’ arguments, distinctive perspectives stand out in what refers to social mobility and woman’s role in society, being the choir a space for the exercise of class and gender values.pt_PT
dc.language.isoporpt_PT
dc.publisherCICS.NOVApt_PT
dc.rightsrestrictedAccesspt_PT
dc.subjectGéneropt_PT
dc.subjectFemininopt_PT
dc.subjectPerformance musicalpt_PT
dc.subjectMúsicapt_PT
dc.titleDe anjos a mulheres: o coro feminino "Pequenas Cantoras do Postigo do Sol": um estudo de casopt_PT
dc.typearticlept_PT
dc.description.versionpublishedpt_PT
dc.peerreviewedyespt_PT
degois.publication.firstPage89pt_PT
degois.publication.lastPage109pt_PT
degois.publication.titleFaces de Eva: estudos sobre a mulherpt_PT
degois.publication.volume25pt_PT
dc.relation.publisherversionhttps://facesdeeva.fcsh.unl.pt/?page_id=315pt_PT
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