Please use this identifier to cite or link to this item: http://hdl.handle.net/10773/24282
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dc.contributor.authorCorreia, Jorge Salgadopt_PT
dc.contributor.authorDalagna, Gilvanopt_PT
dc.contributor.authorBenetti, Alfonsopt_PT
dc.contributor.authorMonteiro, Franciscopt_PT
dc.date.accessioned2018-10-12T11:41:32Z-
dc.date.available2018-10-12T11:41:32Z-
dc.date.issued2018-10-
dc.identifier.isbn978-972-789-567-0pt_PT
dc.identifier.urihttp://hdl.handle.net/10773/24282-
dc.description.abstractDefining artistic research in a concise and unequivocal way seems to be as difficult as establishing boundaries and rules with which to frame it. Possibly because of this, some authors have been more interested in discussing when research can be considered artistic research than in proposing a clear-cut definition (Klein, 2017). In line with this point of view, this proposal represents an effort to launch the ground stones upon which an alternative path for Artistic Research may develop. Instead of an assertive, closed definition of Artistic Research, we are, in this first Cahier, launching the foundations on which to build, in the following Cahiers, a set of premises and principles - prolegomena - aimed at guiding the development of research projects. This alternative pathway will gradually progress along with (and because of) the growing set of research projects departing from these premises and principles. But first, we would like to highlight a number of introductory points, using examples, in the hope of further clarifying this matter.pt_PT
dc.language.isoengpt_PT
dc.publisherUA Editorapt_PT
dc.rightsopenAccesspt_PT
dc.subjectArte - Investigaçãopt_PT
dc.subjectArte - Metodologia de investigaçãopt_PT
dc.titleWhen is research Artistic Research?pt_PT
dc.typebookpt_PT
dc.description.versionpublishedpt_PT
degois.publication.locationAveiropt_PT
dc.relation.publisherversionhttp://cms.ua.pt/editora/pt_PT
Appears in Collections:DeCA - Livro

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