Please use this identifier to cite or link to this item: http://hdl.handle.net/10773/28637
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dc.contributor.authorMiguel, Ana Fláviapt_PT
dc.date.accessioned2020-06-04T16:37:34Z-
dc.date.available2020-06-04T16:37:34Z-
dc.date.issued2018-
dc.identifier.issn2250-7116pt_PT
dc.identifier.urihttp://hdl.handle.net/10773/28637-
dc.description.abstractSem resumo disponível.pt_PT
dc.language.isoengpt_PT
dc.publisherUniversidad de Buenos Airespt_PT
dc.relationinfo:eu-repo/grantAgreement/FCT/5876/147236/PTpt_PT
dc.rightsopenAccesspt_PT
dc.rights.urihttp://creativecommons.org/licenses/by-nc/4.0/pt_PT
dc.titleSvanibor Pettan. “The idea of creating an ICTM study group with focus on applied ethnomusicology was in my mind for years”pt_PT
dc.typearticlept_PT
dc.description.versionpublishedpt_PT
dc.peerreviewedyespt_PT
degois.publication.firstPage147pt_PT
degois.publication.issue2pt_PT
degois.publication.lastPage157pt_PT
degois.publication.titleEl Oído Pensantept_PT
degois.publication.volume6pt_PT
dc.relation.publisherversionhttp://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7487pt_PT
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