Please use this identifier to cite or link to this item: http://hdl.handle.net/10773/22268
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dc.contributor.authorBrasete, Maria Fernandapt
dc.date.accessioned2018-02-21T10:04:35Z-
dc.date.issued2017-
dc.identifier.isbn978-8879496827pt
dc.identifier.urihttp://hdl.handle.net/10773/22268-
dc.description.abstractIn this study, we intend to analyze the main euripidean marks of the characterization of Clytemnestra in two plays from the end of the fifth century BC. Based on the assumption that the tragic genre was rooted in the social reality of the "polis", the mythical themes of revenge, family conflict and war dramatized in intrigue constituted important cultural codes also in the design of secondary characters such us Clytemnestra. Thus, the focus of analysis focuses on the most distinctly differences in the tragic figurations of Clytemnestra in two euripidean plays, "Electra" and "Iphigenia at Aulis", which expressively renovate the mythic matrix, motivating the debate on political, ethical and moral dilemmas also commom to the Athenian society, at the time of the play's original production.pt
dc.language.isoporpt
dc.publisherLevante Editoript
dc.rightsrestrictedAccesspor
dc.subjectEuripidespt
dc.subjectClytemnestrapt
dc.subjectElectrapt
dc.subjectIphigenia at Aulispt
dc.subjectOresteiapt
dc.titleA figura de Clitemnestra em Eurípides (Electra e Ifigénia em Áulide)pt
dc.typebookPartpt
degois.publication.firstPage67pt
degois.publication.lastPage85pt
degois.publication.locationBaript
degois.publication.titleClitemnestra o la desgracia de ser mujer en un mundo de hombrespt
dc.date.embargo10000-01-01-
dc.relation.publisherversionhttp://www.levantebari.com/pt
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